Work-Write Balance

Around the time I completed The Sleepless, I had dinner with a couple of friends at a Greek restaurant in Midtown. I hadn’t seen Daniel and Charles in a long time and I told them, breathless and excited, that I finished a book and was thinking of becoming a full-time writer. . . .

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Victor ManiboThe Pub Biz
Klara and the Sun

The titular character in Kazuo Ishiguro’s latest novel Klara and the Sun is an Artificial Friend (AF), a type of android built for the companionship of genetically-enhanced children. Much like Mr. Ishiguro’s previous novel Never Let Me Go, this story’s unspecified place and time are much like our own,

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Loki and the Allure of Alternate Timelines

This week saw the end of Loki, the Marvel Cinematic Universe’s third foray into the not-quite-cinematic world of streaming TV. The six-episode show followed the fan-favorite trickster god and his adventures with the Time Variance Authority (TVA), and adds to the recent canon of alternate reality/multiversal series. . . .

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Trese

Netflix’s Trese opens with a commuter train weaving through Manila skyscrapers, which then loses power in the middle of its elevated tracks. As the passengers vacate the train cars and walk along the tracks, they . . .

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Deck of Worlds

I’ve written about the Story Engine Deck before and how it’s become my go-to writing prompt generator. Coming soon is its follow-up, the Deck of Worlds, which I had the good fortune to have an early preview of, and I’m excited to show you what I’ve come up with. …

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How I Got My Agent

The short answer is that I wrote and polished a query letter, sent it out into the world, and got extremely lucky. That’s truly how it goes for most writers, but of course with a lot of heartache and complications every step of the way. …

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A Trip to the Museum

One of my favorite places in NYC is the American Museum of Natural History, and I’m so lucky to live within a few subway stops from it. My husband Sean and I went there this past weekend, as we always do on this particular weekend in April . . .

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